Bio – the Long Version

Get the quick and dirty version of the bio here.

Kathryn Petruccelli is a bi-coastal poet, teacher and performer with aspirations in radio, obsessions around the meaning of home and belonging, and a deep belief in the power of story.  Nominated for Best of the Net in 2020 (“Daal/In the Midst of the Pandemic“), she was also a finalist for the 2019 Omnidawn Broadside Poetry Prize judged by Dan Beachy-Quick. Her work has appeared or is forthcoming in New Ohio ReviewRattle, Poet Lore, River Teeth’s Beautiful Things column, Catamaran Literary Review, December Magazine, SWWIM Every Day, Literary Mama, Glass: A Journal of Poetry, Ruminate, and Split Rock Review. Her piece “How to Read This Essay” was chosen as a past winner of San Francisco’s LitQuake Festival essay contest, and her poem “Little Steps: Workshop, Week 10” earned honorable mention for the Joe Gouveia Outermost Poetry Contest judged by Marge Piercy. She has had the great fortune to work with poets Ellen Bass and Danusha Laméris and owes much to these two women.

Raised on Long Island, NY and Cape May, New Jersey (Exit 0, thanks for asking), Kathryn moved to the west coast to pursue a Master’s degree at the Monterey Institute of International Studies in 1998. She graduated with an MA in Teaching English to Speakers of Other Languages and continued to live on the beautiful central coast of California for 13 years. She admires fireflies and sarcasm a great deal, both of which seem to be in short supply on the west coast and could be why she returned to the east with her family in the summer of 2011 while keeping close ties to California.

Kathryn has taught English, creative and expository writing and life skills via the adult school and community college systems, and California State University Monterey Bay, as well as for secondary school kids in Veszprém, Hungary and campers in the Czech countryside. She has taught poetry and performance workshops for California Poets in the Schools and independently and written distance curriculum for high schoolers adopted by the organization Mass Poetry. She served as host to the Rubber Chicken Poetry Slam (co-founder), and the Monterey Bay Poetry Consortium Second Tuesday Poetry Readings, and has aired literary interviews for the now-defunct KUSP radio (Santa Cruz, California) and with amazing folks like Isabel Allende, Gish Jen, and Nikki Giovanni. For eight years, she was a regular freelancer covering community events and theatre in the Monterey Herald’s GO! entertainment supplement.

Kathryn’s poetry has consistently planted her squarely between the angst-ridden, chain-smoking spoken word crowd and readings attended by refined people in silk scarves. Kathryn’s intent in her work is often to ask people to rethink cultural habits. Her favorite thing, besides writing about herself in the third person, is storytelling and geeking out on language. Delving into conversations about the places the page and the stage interact is one of her very favorite activities. She performs her work whenever possible because she believes in the vibrational power of voice. It’s biological. Performance is just another avenue for people to center their lives around creating art, which Kathryn feels strongly is pretty much what we’re supposed to do while we’re on the planet. She has been known to burst out sobbing at the sound of a beautiful singing voice.